Abundance
Collector’s Edition -Strictly Limited to 100 Worldwide. Individually numbered and accompanied by a hand-signed Certificate of Authenticity.
“Then God said, ‘Let the land produce vegetation: seed-bearing plants and trees on the land that bear fruit with seed in it, according to their various kinds.’ And it was so.” — Genesis 1:11
This painting began not in a studio, but in an unexpected moment of grace. Walking to my car one ordinary day, I happened to glance up — and there it was. A blaze of orange nestled in the green canopy of a mandarin tree I had almost forgotten. For years, the tree had stood quietly at the back of the property, its silence a reflection of the long dry seasons we endure living on tank water. It had given us nothing, and perhaps I had given it little thought in return.
But the rains had come.
And while I hadn’t been watching, something quietly miraculous had been happening. The tree, unbidden and unattended, had laden itself with fruit — more than two of us could ever eat alone. We picked and shared, filling the hands of neighbours and friends, and still there was more. It was extravagant. It was excessive. It was, in the truest sense, abundant.
“And God saw that it was good.” — Genesis 1:12
I knew I needed to paint it. What I didn’t know was what to call it. That answer came one quiet morning in prayer — a single word that held everything: Abundance. It spoke of the drought being over. Of provision arriving without fanfare. Of nature’s extraordinary capacity to give, lavishly and without condition, when the season finally turns.
The painting captures that close, golden moment — the weight of the fruit on the branch, the dappled light filtering through leaves, the warm glow of mandarins ripening in their own time and on their own terms. It is a study in patience rewarded, and in the humbling realisation that abundance often arrives when we are simply not looking.
“Then God said, ‘I give you every seed-bearing plant on the face of the whole earth and every tree that has fruit with seed in it. They will be yours for food.’” — Genesis 1:29
From a forgotten tree on a quiet property, to a canvas, to this collection — this is a painting about the faithfulness of God’s provision. The drought ends. The fruit comes. And it is always, always good.
Available as a museum-grade giclée fine art print on archival cotton rag paper or fine art canvas, created using archival pigment inks to preserve the richness, atmosphere, and integrity of the original artwork for years to come.
Canvas Options
• Fine Art Canvas 450gsm — Stretched — ready to hang
• Fine Art Canvas 450gsm — Stretched and framed — ready to hang
• Fine Art Canvas 450gsm — supplied unstretched for framing to your preference
Paper Options | ILFORD Galerie Prestige Cotton
• Cotton Artist Textured 310gsm — subtle tooth for a traditional fine art look
• Smooth Cotton Rag 310gsm — soft, refined matte finish
Available Sizes
• 300×300mm
• 400×400mm
• 500×500mm
• 600×600mm
• 700×700mm
• 800×800mm
Select your size and print material below — the price will update automatically at the top of the page.
Please note: The © Amanda Stacey Art watermark shown in the preview image will not appear on your purchased print.
This artwork forms part of a carefully curated Collector’s Edition release by Amanda Stacey, limited to 100 prints worldwide. Each edition number is unique and recorded within the artist’s archive, preserving the integrity and collectability of the edition. Individually numbered and accompanied by a hand-signed Certificate of Authenticity, each print represents a finite release that will be permanently closed once the edition is fully allocated.
Collector’s Edition -Strictly Limited to 100 Worldwide. Individually numbered and accompanied by a hand-signed Certificate of Authenticity.
“Then God said, ‘Let the land produce vegetation: seed-bearing plants and trees on the land that bear fruit with seed in it, according to their various kinds.’ And it was so.” — Genesis 1:11
This painting began not in a studio, but in an unexpected moment of grace. Walking to my car one ordinary day, I happened to glance up — and there it was. A blaze of orange nestled in the green canopy of a mandarin tree I had almost forgotten. For years, the tree had stood quietly at the back of the property, its silence a reflection of the long dry seasons we endure living on tank water. It had given us nothing, and perhaps I had given it little thought in return.
But the rains had come.
And while I hadn’t been watching, something quietly miraculous had been happening. The tree, unbidden and unattended, had laden itself with fruit — more than two of us could ever eat alone. We picked and shared, filling the hands of neighbours and friends, and still there was more. It was extravagant. It was excessive. It was, in the truest sense, abundant.
“And God saw that it was good.” — Genesis 1:12
I knew I needed to paint it. What I didn’t know was what to call it. That answer came one quiet morning in prayer — a single word that held everything: Abundance. It spoke of the drought being over. Of provision arriving without fanfare. Of nature’s extraordinary capacity to give, lavishly and without condition, when the season finally turns.
The painting captures that close, golden moment — the weight of the fruit on the branch, the dappled light filtering through leaves, the warm glow of mandarins ripening in their own time and on their own terms. It is a study in patience rewarded, and in the humbling realisation that abundance often arrives when we are simply not looking.
“Then God said, ‘I give you every seed-bearing plant on the face of the whole earth and every tree that has fruit with seed in it. They will be yours for food.’” — Genesis 1:29
From a forgotten tree on a quiet property, to a canvas, to this collection — this is a painting about the faithfulness of God’s provision. The drought ends. The fruit comes. And it is always, always good.
Available as a museum-grade giclée fine art print on archival cotton rag paper or fine art canvas, created using archival pigment inks to preserve the richness, atmosphere, and integrity of the original artwork for years to come.
Canvas Options
• Fine Art Canvas 450gsm — Stretched — ready to hang
• Fine Art Canvas 450gsm — Stretched and framed — ready to hang
• Fine Art Canvas 450gsm — supplied unstretched for framing to your preference
Paper Options | ILFORD Galerie Prestige Cotton
• Cotton Artist Textured 310gsm — subtle tooth for a traditional fine art look
• Smooth Cotton Rag 310gsm — soft, refined matte finish
Available Sizes
• 300×300mm
• 400×400mm
• 500×500mm
• 600×600mm
• 700×700mm
• 800×800mm
Select your size and print material below — the price will update automatically at the top of the page.
Please note: The © Amanda Stacey Art watermark shown in the preview image will not appear on your purchased print.
This artwork forms part of a carefully curated Collector’s Edition release by Amanda Stacey, limited to 100 prints worldwide. Each edition number is unique and recorded within the artist’s archive, preserving the integrity and collectability of the edition. Individually numbered and accompanied by a hand-signed Certificate of Authenticity, each print represents a finite release that will be permanently closed once the edition is fully allocated.